Natasha shows is the bizarre way that, in totalitarian societies, the normal and the abnormal, the banal and the grotesque, and the human and the inhuman live together side by side. Again, the Orwellian word "doublethink" occurred to me while watching this, along of course with the. Natasha works in the canteen of a secret Soviet research institute.
Natasha takes this idea of fake lives becoming our reality to the extreme. That degree of emotional depth makes DAU. Natasha compelling enough, but it also leaves viewers blindsided by what comes next. 'DAU.
Natasha," the first theatrical feature to emerge from the mammoth, multidisciplinary DAU art project — equal parts long-term film shoot, performance installation and "Truman Show"-esque anthropological experiment — intended to. Natasha ," the first theatrical feature to emerge from the mammoth, multidisciplinary DAU art project — equal parts long-term film shoot, performance installation and "Truman Show" The very existence of "DAU. Natasha," in all its absurd, imposing, cement-heavy glory, is its principal achievement. "DAU. Natasha" has no credits to explain the wild concept behind its existence, but context is everything. The sophomore feature from Russian director Ilya K. Natasha movie reviews & Metacritic score: Natasha and Olga work in the canteen of a secret Soviet research institute.
Trailer DAU. Natasha
It works effectively as an introduction to this world, showing the oppressive treatment the main character, Natasha, will. Natasha takes this idea of fake lives becoming our reality to the extreme. The movie starts with her singing a traditional song while the screen remains black - and, as anyone who has seen Ida [+see also: film review trailer interview: Pawel Pawlikowski interview: Pawel Pawlikowski film profile].
Here's what emerges from the "DAU. Natasha was already revealed before the Berlin premiere: Interrogated and tortured by a KGB officer, a woman called The #MeToo era in film. Natasha - Un film di Ilya Khrzhanovskiy, Jekaterina Oertel. Un'operazione fortemente voluta dai realizzatori ma fallimentare sul piano dell'efficacia comunicativa.